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Sanctuary Art Exhibit
Homage to the Masters of Chiaroscuro: Yin Xin’s Sacred Art of China
Beginning 16 November, and for the following three months, the sanctuary’s side panels will feature Homage to the Masters of Chiaroscuro: Yin Xin’s Sacred Art of China, uniting Eastern and Western sacred traditions through light and shadow. You are invited to meet the artist Yin Xin Sunday, 16 Nov. after the 11h service and on Sunday, 23 Nov. after the 14h service.
In the grand narrative of European art history, Christian culture profoundly shaped the development of painting. Especially during the Baroque period, artists explored the divine through dramatic contrasts of light and shadow. Masters such as Caravaggio and Georges de La Tour employed chiaroscuro to transform sacred stories into human dramas, revealing the soul’s deepest struggles between faith and darkness. By contrast, traditional Chinese painting conveys spiritual flow and stillness through ink and negative space, relying not on perspective or light but on rhythm, line, and emptiness.
Yin Xin stands at the intersection of East and West. Born in China during the Cultural Revolution, his earliest visual memories were the monumental, ideologically charged red propaganda posters of that era. That red—symbolizing revolution, vitality, and faith—became a recurring pulse in his work. After formal training in China, Yin Xin moved to Europe, where exposure to the Baroque masters transformed his understanding of light as a medium of revelation.
Over decades of living and creating in France, Yin Xin has studied classical European art while engaging deeply with the spiritual essence of Christian sacred art. In 2017, he was commissioned by Notre-Dame de Paris to create a portrait of the Virgin Mary. Executed in the candlelit style of La Tour yet infused with Eastern serenity, the Chinese Madonna now resides permanently in the cathedral—a poetic bridge between civilizations.
This exhibition presents several large-scale works from Chiaroscuro: The Light and Shadow Series, continuing Yin Xin’s exploration of light and shadow. The paintings feature deep, restrained tones illuminated by flashes of symbolic red—echoing childhood memories, faith, and the vitality of Chinese culture. In the soft glow of candlelight, the Eastern Madonna’s visage radiates serenity and sacredness, offering a meditation on faith, memory, and the human soul.
Yin Xin’s works have been exhibited at the V&A Museum, London, and the National Gallery, Berlin. His art merges Eastern and Western traditions, exploring the intersections of memory, spirituality, and human consciousness, and offers a luminous dialogue between two civilizations.
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